Early on in the season, you killed of Sam (Jessica Rothe), but later it appeared Becky (Ashleigh LaThrop) had also died, only for her to wake back up. Will people be able to accept Jessica? Then there’s Grant (boxing prodigy Javon “Wanna” Walton, also of Euphoria), a sneaky, Dickensian child posing as a wealthy adult. Yet Utopia’s glib, allegedly humorous scripts never provide such detailed portraits of the characters—probably, in part, because there are just so many of them. It’s conceivable. Kevin Christie is perfectly poised to just restart production on the sterility vaccine, meaning that it's up to Stearns to find a cure and expose Kevin all at once. But that was by design, Flynn says, because “unlike everything else I’ve done, there could be a Season 2, so some things can land more gracefully with a Season 2.”. Becky and Ian have that conversation at Grant’s house, where Ian was like, “She killed our friend,” and Becky was like, “I know and it makes me feel horrible but I want to live.” Each of the group has different reasons: Becky stays because she wants to live, Ian stays because of Becky, and Wilson stays because he’s like Jessica, just without the violent part. My thought was, Home has to be a place without technology, No. It was the same thing when I was writing “Gone Girl”: I had a conversation with my editor where she was like, “I just want to check in with you because you’ve written a book with two unlikable main characters and it’s a whodunit where you find out who done it smack in the middle, and it has an end where justice is not necessarily served.” And I was like, “Good point, yes.” But to me, I couldn’t even worry about that.

While the show's "ragtag group of underdogs" may have saved the world, all they've actually managed is a temporary fix — and in doing so, may have opened the door to an even greater threat down the line. I don’t believe that sensitivity requires the suppression of good art, because good art offers vital insight and perspective on the subjects it broaches, no matter what’s going on in the real world. She placed Jessica's father in an asylum for his own safety. eventCategory: event.slot.getSlotElementId(), window.googletag.pubads().addEventListener('impressionViewable', function(event) { And a scrappy, cutthroat young woman (American Honey and Hellboy standout Sasha Lane) pop ups claiming to be the real Jessica Hyde. For them, news of a sequel to Dystopia, titled Utopia, sends them into a frenzy. In the meantime, Jessica's body is about to be used to give Katherine all that she needs to enact a new plan of deadly diseases. window.adsContainer = 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